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You can see this yourself by watching the CPU and I/O with Activity Monitor. However compute-intensive effects such as Neat Video or Imagenomic Portraiture can slow down anything, no matter what the hardware or editing software.Įditing 4K H264 using Premiere on a Mac tends to be CPU-bound, not I/O or GPU bound. Using 1080p proxies, FCPX is lightning fast at 4K on any recent Mac, even a 2013 MacBook Air. Unlike Premiere, FCPX uses Intel's Quick Sync acceleration for H264 and is much faster on the same Mac hardware - yet even FCPX can be sluggish without proxies. Obtaining smooth editing performance on 4K K264 is difficult on almost any hardware or software. I used Premiere extensively from CS4 through CS6 and have a Premiere CC subscription but mainly use it for testing. I have done extensive documentary editing using 4K XAVC-S and GH5 files using FCPX on 20 iMac, 20 MacBook Pro 15.
2017 MAC PRO LAP TOP TO EDIT 4K 720P
But again it looks like I should be moving away from Premiere.At the moment I am editing light 720p proxies, with stabilisation, 2 x lumetri effects on 1/8 quality and it is killing my 2014 Mac – even though it really shouldn't be.anyone had any first hand experience using the Adobe CC suite? I started using Resolve and was really impressed, but haven't had the time to really dig in yet and learn Resolve.Thanks for this! I eGPUs look super interesting and it's definitely something I will look into down the line. Does anyone here currently edit 4K (Sony XAVC-S files, GH5 files etc) using a 2017 Macbook Pro?.Premiere.which I'm starting to think is a massive part of the problem.